Blog Students

Finding answers to portfolio problems

Guest post by Noah Herman, Daemen College ’18

Portfolios. They’re usually not an easy topic to talk about. Discussions often end up sparking more questions than answers, and end with comments like, “But, it’s really up to you as the designer.” However, for students stepping into the job market, the search for concrete answers that could lead to a job opportunity can be hard to come by. This year, the 2016 Portfolio Seminar shed light on the subject by featuring four different speakers in four different phases of their careers.

Offering different point of views, Angela Marini, a Daemen College student and winner of the AAF’s 2016 Student Portfolio Review; Greg Meadows, Creative Director at Telesco Creative Group; Jason Yates, Associate Creative Director at Gelia; and April Brown, Art Director at FARM, were able to provide unique information based on their own experiences to give more well-rounded portfolio advice.

The biggest takeaways at Portfolio Seminar:

  • Be yourself and be comfortable with it
  • Quality over quantity, always
  • An online portfolio is equally as necessary as a physical portfolio
  • There’s no right answer, but there are a lot of wrong ones

While these were the primary messages, they certainly weren’t the only ones. Other lessons learned included the importance of being able to talk about your work, the insight a process book can add to a project, the effectiveness of showing a wide range of projects, the value of tailoring your presentation for the job you’re applying to, and more.

This discussion didn’t just cover the do’s and don’ts of portfolios, but also branched out into career advice for finding a job that fits you, and insight into proper networking. In particular, April Brown stressed the importance of putting yourself out there, noting that you never know where a connection can lead. Jason Yates also voiced that as a designer, a job needs to fit you well for it to benefit you and the company in the long term. Greg Meadows continued on this subject as he briefly discussed his career path as a designer, and his broad amount of experience in the industry.

After the professionals finished their points, the conversation switched to Angela Marini’s presentation of her award-winning portfolio. Seeing a successful portfolio that touched on a range of subjects (from print design to motion graphics), along with her mature and concise choice of pieces, put the preaching of the seminar into practice.

The Portfolio Seminar touched on many tips that can be implemented by students searching for their first job or internship. Learning how to stand out in a competitive field can seem overwhelming at times, but starting with an outline created from the panelists’ main points is a good way to create a unique and successful approach to portfolio design.

The lessons covered here and more made the 2016 Portfolio Seminar incredibly influential; it provided those who attended with a comprehensive basis for a strong portfolio concept. Thank you to all attendees, and those who helped execute this valuable seminar.

Events

The Ride For Roswell 2014 – Jersey Design Contest

Ride For Roswell 2014 Jersey Design Contest - Ad Club Promo

The Advertising Club of Buffalo is proud to support The Ride For Roswell Jersey Design Contest

Design the Ride’s 2014 Extra Mile Club bike jersey. Thousands of eyes will be on your design and you’ll get recognition for putting your talent to work in the fight against cancer.

The AD Club is helping with the promotion of this contest to bring more awareness to the fight against cancer and hopefully we can share this among those in the advertising community in order to make this jersey design the best yet!

We hope not only the creative departments within our local membership, but any person who has an creative talent and wants some well deserved recognition to help a great cause.

Below is a few key points taken from the contest website http://rideforroswell.org/jerseycontest/

  1. Review, agree to, and follow the Contest Rules and Guidelines.
  2. Download and use the Design Diagram and
    logo files (links below) to complete your entry.The Ride For Roswell Presented By West Herr logo
    Roswell Park Cancer Institute Logo
  3. Download and complete the Entry Form.
  4. Email the Entry Form and your submission to rideforroswell@roswellpark.org by 11:59p.m. on Sunday, March 16, 2014. Be sure to write ‘Jersey Design Contest’ in the subject line.

Eligibility: 

  • This contest is open to any professional, amateur, or student designer
  • You must be 18 years or older to submit a design. If you’re under 18, your parent or guardian must submit the design on your behalf

Deadline: 

Entries are due by 11:59 p.m., Sunday, March 16, 2014

The winner will be announced at The Ride Kick-off on Thursday, March 27.

Entry information: 

  • Individuals may submit up to three designs.
  • A separate entry form must accompany each design.
  • Designs must be submitted via email as a vector EPS file not to exceed 12MB in size. All text/fonts must be outlined.

Email your entry to: 

RideForRoswell@RoswellPark.org

Subject line: Jersey Design Contest

The Advertising Club of Buffalo can’t wait to see what great design get’s picked by the panel of Ride For Roswell volunteers. They will select three semi-finalists from all designs received by 11:59 p.m. on Sunday, March 16, 2014. Approximately 1,500 past and current EMC members will then be invited to vote for their favorite design. The design with the most votes will be the winner. The winner will be notified by email, recognized on The Ride For Roswell website, and publicly announced at The Ride Kick-off event on Thursday, March 27, 2014.

Good luck to all who enter!

Blog Events

Stuff Aaron Draplin Says

Aaron Draplin

So who is this large man coming to speak here in Buffalo? Get a little more insight into Aaron Draplin from his interview on the Adventures In Design podcast, or one of the youTube videos that have gotten him a cult following:

Why America is Fucked.

Advice For the Young Designer

Trinkets and Treasures

Check out his website, or come meet him in person next week and see what else he has to say.

Aaron Draplin: “Tall Tales from a Large Man”
A Part of Ad Week 2012
October 11 | Pearl Street Grill & Brewery | 76 Pearl Street, Buffalo
Cash Bar, Hors D’oeuvres and Mingle with Aaron @ 7 p.m. | Presentation @ 8 p.m.
Get Your Tickets Now >

Blog

Crazy. Brave. Unbelievable.

Written by Jordan Hegyi ACB Vice President / Executive Board Member, Owner + Art Director, Riveter Design www.riveterdesign.com

“Crazy.” “Brave.” “Unbelievable.” While you may not consider yourself any of those things, those are the things you’ll hear over and over again if you ever decide to go out on your own. You‘re going to work for yourself? You’re not going to go to an office every day and get a regular paycheck? That’s crazy! You’re so brave! It’s unbelievable, congrats!

Yes, abandoning a regular paycheck is all of those things. But here’s the thing; people do it all the time. Whether it’s by choice or by force, people leave their jobs every day and pursue the dream of working for themselves.

That said, being your own boss is a funny thing. In the past three weeks since I’ve been “my own boss,” I’ve learned a few things about that dream. So, let me begin by dispelling a few “being your own boss” myths:

1. I’ll finally make my grand return to the gym! Wrong. I haven’t been to the gym once in the past three weeks. Call me lazy, but I can drink wine and work at the same time. I cannot, however, lift weights and design at the same time.

2. I’ll totally get to sleep in. Hells no, you will not. My dog wakes me up at 5:30am to eat breakfast, and I used to go back to bed after he’s wolfed it down. Not the past three weeks. The past three weeks, the second I wake up my mind is racing and I feel the need to get rolling, to stop wasting daylight. I’m writing this blog post at 11:52pm on a Saturday. And I guarantee you, I’ll be up again with my rooster-dog bright and early tomorrow morning.

3. Working from home is gonna be great. Dude, I’ve only worked from home 3 days in the past 21 (unless you count weekends). I’ve been in and out of agency conference rooms, client offices, and every Buffalo coffee shop for meetings and work sessions. I’ve spent less quality time with my couch than ever before. We actually miss each other.  I’ll let you know if and when this changes.

4. I’m going to make dinner every night; it’s gonna be some real Betty-Crocker-Julia-Child-type-shit up in here. Nope. We just bought stock in Fuji Grill III. We have a permanently reserved table at Wegman’s Market Café. And I’m not positive, but I think my husband had cinnamon sugar toast for dinner on Tuesday night.

5. I’m even going to repaint the trim on the house. Think again, my friend. That long list of little house-errands you were gonna get to in between paying client work? Forget about it. You will have other things to do. Like invoicing (which is totally cool, cuz it means you’re getting’ pay-pa.) Or adding work to your online portfolio. Or writing an estimate (which you’re still figuring out how to do). Or setting up an appointment with your accountant, lawyer, new client or creative partner. But it’s ok, cuz if you’re working, you’re making money. And if you’re making money, maybe you can pay someone else to repaint your kitchen ceiling. (By the way, I’m looking for someone to repaint my kitchen ceiling. If you happen to know a guy, send ‘em my way.)

All that said, on the flipside, here are some truths:

1. It’ll reignite my fire. Yup. True. True. True. I’ve been invigorated by working with old coworkers, new peers, brand new clients, in new and different spaces, on my own time, and at all hours of the night. Plus, there’s no denying the fire that ignites from no longer having the security of a regular paycheck on its way into your bank account. (Let’s be honest.)

2. Working the weekends won’t be so bad when I work for myself. My friend Stephanie told me this. And, amen, sister, it is a fact. I never minded working weekends really, but sometime between my first professional gig and my second, it got a little old. I’m back to working weekends, and I can dig it. Because unlike a salaried gig, it means a bigger paycheck.

3. My new boss will be so awesome. True. Of course.

4. I can take vacation whenever I want! Well—sort of. Yes, I can schedule a trip out of town without worrying about my rapidly dwindling stash of vacation days. I’ve made travel plans and I haven’t had to ask permission, I haven’t had to fill out any paperwork and I haven’t had to calculate my trip around an already paid day off. And it is glorious. But, I do have clients, and I like to be able to say “yes” when they need me. So I guess that means no two-month backpacking tours through the Swiss Alps for me. And there’s a good chance that when I do go on vacation, I just might be taking a little work along for the ride. (Or at least obsessively responding to my emails, because gone are the days of pawning a response off on my AE with an out-of-office email.)

5. Office dogs are the best. Consider it confirmed. He loves everything I do, never tells me to make the logo bigger, and he even encourages me to go out for a breath of fresh air every couple hours. When you find a person who will do all that, you probably just found yourself a new best friend.

Those are all the myths and truths I can share for now. Why? Because I’ve got to get back to work. Have you met my boss? Absolute slave driver.